Lendle

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From the intro:
“This account of striking and peculiar events by Mr. Sidney Dickinson is but the fulfillment of an intention of the writer interrupted by sudden death. Mr. Dickinson had taken careful notes of the happenings described and, being a professional observer and writer, it was inevitable that he should preserve the narrative. He had been slow to prepare it for publication because of the prominent and enabling part played by his wife in the occurrences. After her death, when an increasing interest in the subject had developed, it seemed to Mr. Dickinson that the narrative might be received as he had written it—as a careful and exact account of most remarkable events. In reverence to the memory of his wife and out of respect to the friends concerned he could not present it otherwise to the public.
As the narrative is of some time ago and the principal witnesses are dead or inaccessible the account must stand for itself; the endorsement of the American Society for Physical Research[2] testifies to its intrinsic interest. But the character and personality of the writer is a vital consideration. Mr. Sidney Dickinson was a professional journalist and lecturer. After graduation from Amherst in 1874 he served on the Springfield Republican and the San Francisco Bulletin. Later he was prominent as an art and dramatic critic on the staff of the Boston Journal. After extended study of art in European galleries he lectured before many colleges, universities and art associations. He spent some years in Australia, where many of the events of this account took place. While travelling in Europe and Australia he was correspondent for a number of papers and magazines, including Scribner's Monthly, the New York Times, the Boston Journal, and the Springfield Republican. During a visit to New Zealand he was engaged by the Colonial Government to give lectures on New Zealand in Australia and America.
His work and his associates testify to careful observation and sane judgment. Mr. Dickinson had an unusual memory, a keen sense of accuracy and he was cool and practical rather than emotional or excitable. No one who was much with him in the later days could doubt the entire sincerity of the man. There could[3] have been no ulterior motive as the account itself will show. The narrative was written because he felt that it might well be a contribution of some scientific interest.”