Larkin's poems are often regarded as falling somewhere between the traditional 'plain' and the more contemporary 'postmodern' categories. This study undertakes a comprehensive linguistic and historical study of the plain style tradition in poetry, its relationship with so-called 'difficult' poetry, and its particular realization in the cultural and historical context of 20th-century Britain. The author examines the nature of poetry as a type of discourse, the elements of, and factors in, the development of literary styles, a close rhetorical examination of Larkin's poems within the described poetic frameworks, and his position in the British twentieth-century poetic canon.
Solve a murder, save her mother, and stop the apocalypse? No problem. She has a foul-mouthed troll on her side. For Austin homicide detective Leira Berens, happy is running down bad guys and solving crimes. And she’s damn good at it. Which is why when the Light Elf prince is murdered, the king breaks a centuries old treaty and crosses between worlds to seek her help. Wait a min...
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