Lendle

The desire to write perfectly of beautiful happenings is, as the saying runs, old as the hills—and as immortal. Questionless, there was many a serviceable brick wasted in Nineveh because finicky persons must needs be deleting here and there a phrase in favor of its cuneatic synonym; and it is not improbable that when the outworn sun expires in clinkers its final ray will gild such zealots tinkering with their "style." Some few there must be in every age and every land of whom life claims nothing very insistently save that they write perfectly of beautiful happenings.

Yet, that the work of a man of letters is almost always a congenial product of his day and environment, is a contention as lacking in novelty as it is in the need of any upholding here. Nor is the rationality of that axiom far to seek; for a man of genuine literary genius, since he possesses a temperament whose susceptibilities are of wider area than those of any other, is inevitably of all people the one most variously affected by his surroundings. And it is he, in consequence, who of all people most faithfully and compactly exhibits the impress of his times and his times' tendencies, not merely in his writings—where it conceivably might be just predetermined affectation—but in his personality.