Lendle

In the last fifteen years, experimental film has diversified into a range of different media, styles and practices, many of which impinge on both documentary and fiction. Parallel to an increasing interdisciplinary interest in visual culture, experimental filmmaking is flourishing within a postcolonial, postmodern context. More and more artists and theorists are turning to film and video as a means of addressing social questions, from gay and lesbian identities, to diasporic politics, cultural and family memory, histories of oppression, resistance and criminal justice systems.