One big difference of improvisers in the Bebop era from earlier Jazz styles was their use of target notes and chromatic approaches to these targets. This book introduces these concepts and gives mandolinists a way to practice to make these sounds a part of their improvising.
Using examples of players such as Charlie Parker, Clifford Brown, Wes Montgomery, Sonny Stitt, Bill Evans and others the book goes into great detail of how targets and approaches were used by Bebop players.
What happens when a gang of rogue pixies takes the troublemaking just a little too far? They get noticed by the U.S. Army and playtime is over. Now that they’ve been caught, they can either sign their lives away to enter an experimental new program for magical Army soldiers or accept a one-way ticket back to Oriceran. Can Z and her cousins learn to rein in the chaos as new magi...
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